Professionally recorded but never released on CD Part 1 1968-1976

Somewhere on HS - and I can’t find it any more- there was a list of TV & Radio appearances where the band were professionally recorded. I’ve taken that list and expanded and updated it with links as appropriate. Because of text size it’s split randomly by era.

This is a compilation of Deep Purple’s (official) appearances on TV and/or radio, plus other professionally recorded concerts and tracks that have not been officially released on CD

Any appearances that haven’t surfaced are also omitted.

Opinions expressed are my own.

Mark 1

And The Address. 23rd Oct 1968 - New York City, Playboy Club, US TV, “Playboy After Dark” - New York, USA. Hush from the same program appeared on the Shades of Deep Purple remaster but And The Address (which is a band edited version) hasn’t appeared anywhere on CD https://www.youtube.com/watch?v=tg95T_pGF4Q

Mark 2

Club Paradiso, Amsterdam, Holland.

24th August 1969. Wring That Neck appeared on the New, Live and Rare Sonic Zoom release. Whilst it’s soundboard the nascent Speed King suffers badly from a poor mix. Ritchie is barely discernible for the first 4 minutes but then the mix sorts itself out and the band are really cooking. Child In Time is great and Paint it Black is mostly drum solo but the mix is great for Paicey’s drums. They didn’t lay down CIT for In Rock until 6 weeks after this gig!

Essen

11th October 1969. Live TV appearance with edited versions of Wring That Neck and Mandrake Root. Essential viewing! https://www.youtube.com/watch?v=wvq__lPZaNc

Doebidoe Dutch TV

15th Jan 1970. Not brilliant fidelity but great, if short (self-edited for TV?) versions and Into The Fire is better than the Scandinavian version. Is on the Miss Molly at The University bootleg which is also worth getting for a very rare audience recording of Good Golly Miss Molly. Speed King, Mandrake Root, Wring That Neck and Into The Fire

Berlin

30th March 1970. Child in Time. A 10 minute soundboard recording if a little low-fi but a cracking version. Broadcast on AFN (US Army Radio Station) in Berlin, Germany. Can be found on the Deep Purple Berlin 1970 bootleg. The festival was taped by Berlin radio according to the DPAS. Be fantastic if they still existed in their archive. https://www.youtube.com/watch?v=u7ATqRAU5zI

South Bank, London.

A 12 minute colour video exists of “Mandrake Root”. It was recorded 28th July 1970 at South Bank Queen Elizabeth Hall UK. The video was on the Hit & Highlights DVD but the audio has never been released on CD. DPOY https://www.youtube.com/watch?v=3c1v7WhKJoA

POP DEUX French TV

8th Oct 1970. The edited versions of Wring That Neck and Mandrake Root were broadcast on French TV and subsequently were on the Hits DVD and as bonus tracks on the upgraded Stockholm CD (albeit with the wrong date of performance in the booklet notes – They are definitely the pop deux versions)

French Radio Europe 1

1st November 1970. A bootleg exists which includes the edited track Pop Deux tracks with other tracks. The other tracks on that bootleg, of slightly poorer quality come from a radio broadcast of the recording – there is some DJ chat on it- Includes full versions of Into The Fire and Paint It Black as well as edited versions of Child In Time (between the post verse keyboards and the guitar solo – which is a shame as Ritchie is really giving it some pongo) and Black Night (after verse guitar). Simon Robinson reported in Darker Than Blue 54, November 2001, that the radio station had the tracks in their archive. Hopefully they are still there.

Hamburg

Black Night A live filmed version from Hamburg 2nd December 1970, belting version to. DPOY https://www.youtube.com/watch?v=uAkqlx9Lki4

Speyer,

5th September 1971. Strange Kind Of Woman Soundboard recording (9:03) which appeared on a bootleg with tracks from Stuttgart from two gigs. Extraordinarily brilliant guitar on a lowish-fi recording but worth having. Part of what was billed as “British Rock Meeting” - a fragment of Speed King is on the official YouTube site. Other bands on the day professionally recorded can be found on youtube. DPOY https://www.youtube.com/watch?v=vPDmKeP9yF4

Bremen, Radio Bremen TV, Studio 3

Also known as Beat Club TV 21st September 1971. There is a rehearsal take for the Beat Club TV show of No No No. The broadcast version appears on the DVD Hits & Highlights, the Blackmore Profile vol 1 and the Listen Box set which means it’s very rare. The rehearsal meanders to an inconclusive end but can be considered a complete take. https://www.youtube.com/watch?v=GymEEU9nYP8&list=RDGymEEU9nYP8&start_radio=1

Unknown

3rd October 1971. When Simon Robinson was first given access to the DP(O) tape store he catalogued the contents. He placed this tape in the Fireball section and it listed Black Night (Live) and Lazy (bit of). The date could be when the tape was entered into the archive. Could it be Speyer which we know was recorded in part?

Who Do We Think We Are session out-takes

“It’s Only Make Believe” and “Smelly Botty” (Jon Lord on vocals) Remastered for ‘Who Do We Think We Are Remastered Edition’ CD in 2000, but left off at Jon Lord’s request.

Lyon.

16th March 1973. Has been around for years as a very AM quality boot. It appeared last year advertised as a FM version and including Space Truckin’ which was previously missing. Speculation on HS that this wasn’t soundboard but if it’s not, it’s the best sounding audience boot of the early 1970’s. I think the speculation comes from the crowd noise which is particularly evident on the Mule. But these crowd noises are evident on the original AM recording. Either way it’s awesome and definitely worth having.

Mark 3

Leeds Polytechnic Project

Burn is from Hammersmith 9th May 1974. An edited version of Space Truckin’ was on the Hits & Highlights DVD. All the other tracks on the film are incomplete. The rest of the set is bootlegged as Hammersmith and may come from the same source but it’s fairly lo-fi.

DPOY https://www.youtube.com/watch?v=WJN76wlC6mc&t=12s

Full set https://www.youtube.com/watch?v=pZG4AxssRJw&list=RDpZG4AxssRJw&start_radio=1

Saarbrucken

5th April 1975. Most of the original Made In Europe (albeit edited) was from this gig. Any surplus tracks were left of the Final Concerts release due to contractual reasons. It’s oft been promised as a full release to compliment the complete Graz and Paris releases but has never appeared. The missing tracks would be; The Gypsy, Smoke, Space, Going Down and Highway Star

Mark 4

Jakarta

4th December 1975. 13 years ago, updated in 2019, the DPOY stated that “There is a multitude of new interviews and vision with 130 mins of concert material available.” Relating to the Jakarta debacle and it was suggested elsewhere that it was professionally recorded. It’s never appeared.

Maryland - Landover Capital Centre

15th January 1976. Drew Thompson said in 2022, “We have the full show in the vaults. You never know but one day it might surface!” Let’s hope so even if the sound on the video clips is very distorted.

Springfield.

26th January 1976. Smoke & Highway star appeared on the official release in 1995 and at the time Simon Robinson said the tape he heard of Springfield has recording issues. The complete set appeared a while ago but the mix is all over the place particularly at the start. It does however feature a full version of The Drifter and so is a must have.

Wembley

13th March 1976. Rumoured to exist and may have been taped by the same source as Liverpool. Discussed on the Deep Purple Classic and Glenn Hughes facebook pages.

Liverpool

15th March 1976. When Simon Robinson set up Sonic Zoom the first release was supposed to be Mk 4’s 1976 Liverpool gig. In response to a question as to why it hadn’t appeared the reply was “Yes, this was all mastered off a first-generation audience tape and ready to go but then we heard of a source in America who seemed to have some soundboards including Liverpool, so we went after that. Sadly, the guy decided his tapes were worth huge amounts of money, so we couldn’t proceed. I’m reluctant to issue the audience tape when I know there is a better one, even though we can’t get at it.”

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I’m not sure if I’d have the balls to listen to Liverpool, given how tough the gig was for all involved. Is 3/13/76 the better of the two Wembley nights? One was reportedly tatters, other crawled out tho the decent level, but can’t remember which was which.

Drifter and Stormbringer off Springfield 1976 are INSANELY INTENSE. Wonderful vindication what Mk4 could have been if nurtured properly.

Not to mention Jon’s INSANE-ER solo spot!

Great show!!

(I’m sure young Homer was astounded)

:fire:

Drifter is excellent. I found mk4’s take on Storm bringer a little, shall we say, loose.

David, I sense what you’re pointing at; this jam after the core of the song is a tad pointless BUT, when they turn up the heat with the two note punch turning into steamrolling freight train going faster and faster - it’s pure bliss. If I was ever running a tribute band and played Stormbringer - it would always have that ending, just to bring the house properly down. With Tommy’s grit to it on the Fender - it was a proper barnstorming closing to the show!

The problem with MK4 wasn’t the bad repertoire or lack of playing skills live - in fact I think their construction of the set and the arrangements they provided are great. The band just lacked the guitarist fully connected to the reality. If you gave that material to aware musicians, clean and skilled who could reproduce the vibe and boost up the flow with fluid guitar play - it would have sounded gargantuan. If Tommy could have only been clean and concentrated, the band would hardly ever sounded like trainwreck and they would be immense. Get the guitar solo more concise and off you go. He had all those sounds and effects to the guitar at his mercy, only the phrasing between head and the fingers wasn’t following due to substances.

The output of songs from Mk3-4 allows to build easily a super exciting set for two hours of concert without unnecessary lags and relying too heavy on earlier line-ups. The same, by the way refers to post-Blackmore era, in my opinion. Dozens of songs to build an enjoyable experience, with one or two teasers pleasers. If you come from a point of picking up the music that’s interesting to play and develop live and not rely on Machine Head umpteenth zillionth time, of course.

I’m sure in the theatre it sounded great but much like a Recorded Ritchie guitar trash it drags a bit on record.

A couple of random thoughts - apparently there have been attempts to release Amsterdam Paradiso 1969, but the radio station have refused to licence it as they wanted to do their own range of CDs. Thus would have been 20 or more years ago. Did the band put it out as part of their Digital bootleg series?

Liverpool '76 - if a soundboard exists, there is one obvious candidate to who and that person has been pretty gracious in giving access to their tapes. The story I heard was Simon had sent a copies of the tape to people he trusted in order to see if they agreed the quality was worth an official release. One of those tapes ended up with the Japanese bootleggers who were going to get their CD out first. Therefore, Liverpool was postponed and the other fans with copies were told to give it away to everyone to kill the Bootleg market. Again, this would have been around 1999/2000 and there may have been no truth in it. But that’s what I was told when I unexpectedly received a copy

Doug, Interesting. I didn’t know either. Wring That Neck from Paradiso was on the Sonic Zoom 2004 New Live and Rare release. I’ve thought that a good, niche release would be to gather all the existing and complete soundboard release having been put through a state of the art (AI?) mastering software to reveal a little sparkle. Kneel & Pray from Paradiso I would exclude because of the original mix.

I wasn’t aware about Liverpool does that mean you have a copy of the SBD? I’ve never seen it anywhere else. Would love a copy if you do!

No - I had a copy of the audience tape. Not that I’ve any idea where it is. That’s what the bootleggers got, not the soundboard. I don’t know if anyone has heard that.

Damn. Would love to hear the SBD. I would have thought that if the Japanese bootleggers had a copy they would have had no qualms about issuing it and I’ve never seen anything to that affect. Here’s hoping it exists!

Again - the bootleggers got the audience tape and were planning on putting it out before the official release.

Clear now. Apologies if I was being a bit dim.

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