My memory suggests June 4, 1999, Freilichtbühne Heppenheim. They opened with a snippet of The Boys Are Back In Town and Jon wore a black trench coat (it rained a little). But the published set lists make no mention of Don’t Make Me Happy nor does this review here
so maybe I‘m imagining things? Sorry to be confusing!
No problem. My best (and assured, based on hundreds of bootlegs owned) knowledge though has no evidence / instance of playing that track ever by DP, I don’t own a single recording from any year that has it. WABC was dropped after the Purpendicular Tour and wasn’t back really until the Concerto Tour, nothing seemed to substitute it either. I don’t want to say you’re entirely wrong, but I know of no item that backs up theory of DMH ever being in the set.
2021 I discovered by chance Mastodon. It was an article in “Süddeutsche Zeitung”, which was praising “Hushed and Grim” and directly led to the purchase, followed quickly by most of their records. Every time I’m asked for bands besides DP I like, I recommend them. IMHO you can’t go wrong in buying one of their albums. For first impression have a listen to this guitar solo https://youtu.be/jWFWazj7Ud8?list=RDjWFWazj7Ud8&t=162 and tell me that is not good. I had also much fun watching their “Making of” videos (they are taking themselves not to serious), like this one: https://www.youtube.com/watch?v=9Rgi5C0JbRs
Sounds interesting, thanks! Albeit, the video looks rather, ahem, distracting . But it’s another band to dig into.
Since we’re talking metal, I’ll take your Mastodon and raise you Avenged Sevenfold. That’s another band I’ve discovered for myself recently. Stumbled across this video on YT and got hooked instantly:
I understand this is not a very popular concept globally, but I might still need to point out the ever so subtle difference between Finnish and Estonian. When you want a divine intervention, in Estonian you say aidaku Jumal and in Finnish jumalauta.
Earlier this year I took my kid to see Alien Weaponry - a New Zealand thrash metal trio who sing in Māori. I was pretty impressed. Less so with the opening act Sex Club Satan… literally three very scantily-clad young women in corpse make-up wailing on stage. It failed as both a piece of music and as a piece of performance art. I’ve never seen a Glaswegian audience so confused
Yeah, sorry about that. I don’t speak either, just picked up a few words in Finnish here and there, so made a guess based solely on phonetics. Then started googling up the band and discovered that they’re actually Estonian.
They are an exquisite mix of contemporary pop, trad rock, alt rock and folk - and the bassist, Ms Orláith Forsythe, is real hot (in more ways than one even though I’m sadly outside the focused clientele).
My mother always told me I should have been born a girl - well, we all see how that turned out! The curly-haired one who plays more guitar is Mollie McGinn, Orláith’s significant other.
A-ma-zzzing, so Uwe does like Rainbow music after all!
Ever since Guilt Trippin’ came out as a single, that hauntingly melancholic piano intro somehow makes me think of the music of early 20th century French composer Eric Satie, particularly as arranged and performed by Jacques Loussier Trio. For example: